DANCE FRIDAYS - THE FACTS

Dance Fridays - The Facts

Dance Fridays - The Facts

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The Dance Fridays Statements


I envision this timing most likely developed throughout the Palladium period however I haven't verified that. Eddie Torres began showing and popularizing this timing beginning in the 1980's, from what I comprehend. He was mentored by the late June Laberta, a ballroom dancing instructor, who helped him create his technique and timing.


The tale I'm continually informed here, that still requires more examination, is that as salsa began getting to new target markets outside of the Caribbean and New York, it was simpler and more user-friendly to educate cultural outsiders to dance On1 as opposed to On2. However, this tale does not account for the fact that I've heard Rueda de Gambling establishment was initially danced a tiempo On3 in Cuba.


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Salsa On1 is simply one of different salsa timings you can dance to and it is the most common timing you'll discover in the globe today. Salsa On1 timing interpretation: "On1" suggests you begin dancing on the very first beat of the bar of music the 1. Your break actions (direction changes) get on beats 1 and 5.


The exceptions I've found thus far, where On2 is most common, would certainly be around New york city and in South Korea (Salsa Dance San Francisco). I'm certain there are other locations that dance mainly On2 but I have not danced in every country yet! If you're not certain what timing is most common where you live, ask your local dance workshop


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When somebody says "I dance salsa On1" they possibly suggest "I dance direct style salsa On1" (although you can dance any style of salsa On1, individuals generally indicate straight style). Do not fret if you have actually said these things previously, it's all great all of us have! The crucial point is to remember there's a distinction in between style and timing and deepen your understanding so you can be more precise when speaking about salsa with your close friends.


It attaches well with the wording in the music, especially the piano, and various other percussion tools like the cow bell and giro. Timing and style are 2 various points, so different the ideas when you talk about salsa with your pals. Regardless of what timing is most usual in your area of the world, remember you can practically dance any style of salsa to any kind of timing explore and delight in!


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Although there is an initial mambo dancing that came from Cuba and after that infected Mexico and New York City in the 40s and 50s, these days when someone claims "I dance mambo" they imply salsa On2, which is different than the initial mambo dance. The occasional free-from actions of the original mambo were danced solo.




As the dance started to spread, On1 timing started to come to be preferred. Salsa On2 interpretation: "On2" indicates you begin dancing on the very first beat of the bar of music the 2.


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Historically those are the tools that a son cubano dancer linked with and that was handed down to mambo and salsa. A great deal of dancers enjoy dancing On2 for the diverse means you can connect to the songs. This is the initial kid cubano and mambo timing. Child cubano is the music and dance that came before mambo and salsa.


It connects well to the clave, bass and conga - Bachata Dance San Francisco. Cha-cha is similar to dance On2 contratiempo but you add the triple action on 4 and 8. Danced to the very same beats as On1, your break steps are currently on 2 and 6, which changes the feel of the dancing.


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It links well with the conga and cowbell. Website https://dancefrisfca.start.page. This timing is practically the same to contratiempo On2 however the actions that are usually on 4 and 8 get on 4. 5 and 8. 5 rather half a beat later, which lines up with the syncopated tone of the conga. It's almost like a timing in between a tiempo and contratiempo.


5 rather of 5) you're dancing this syncopated timing. If you're dancing contratiempo and you tip half a beat late in the home position (on 4. 5 rather than 4) you're dancing syncopated timing. In fact it seems it's typically danced as sort of a "error" for anyone dancing the previous 2 timings.


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As mentioned earlier, this was the very first analysis of dancing on clave (kid clave), where the Puerto Ricans would certainly straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to straighten as many actions of your basic as feasible with the strikes of the boy clave.


The thing about songs and dance is that there is no right or wrong. There is just interpretation. You can dance on any timing you like! Normally, people have actually found a way to dance on practically every timing feasible to boy and salsa songs. People dance On3 for the exact same factor you dance On1 because it emphasizes the strong beats of 1-3-5-7.


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Allow's take a look at the beats you dance On1 to: -2-, -6- (solid beats are in bold) Allow's look at the beats you dance On3 to: -4-, -8- (solid beats are in vibrant) Notice just how the strong beats are spaced exactly the same for On1 and On3? All you do is begin tipping On3 rather than On1.


That's why dance On3 is so common in Latin America. People either Try to dance On1 yet start tipping On3 by accident and it functions out just fine, or They do not recognize much concerning timing and are simply interpreting what they hear in the songs, based upon their experience expanding up in a culture with salsa.

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